I'm an experienced, trained, and highly skilled singer, a self-taught-but-excellent pianist, great sight-reader, lover of accompanying singers, and a pad-of-the-thumb strummer on the guitar.
On the 25th of October, I'll be performing at The Philharmonic Hall Music Room with Liverpool Acoustic and Big Number's celebration of the 60th Anniversary of Revolver.
I'll also be producing Thom Morecroft's album in late 2026/early 2027, and releasing some of my own music.
With my passion and experience in making music, artist development, and musical instinct and intuition, I've naturally fallen into a producer / musical director / performance coach role when working with musicians - whether that be singer/songwriters, bands, musical theatre.
+ I'm a harmony NUT
+ I have very sensitive but quite clever ears
+ I am passionate about making songs/music the best they can be and exploring potential and possibilities
+ I listen, encourage and empower, rather than control and micromanage
+ I have experience coaching in vocal technique, prioritising confidence and authenticity
+ I am skilled in suggesting structure, instrumentation, arrangement and timbre amendments
Alongside developing this as an arm of my career, I'm very interested in coaching artists/musicians/bands on their live performance technique: direction, confidence, blocking/staging, where to look, what to do with your hands, communication/public speaking skills, and more.
Writing / Acting / Musical Theatre
When I was living in London, much of my performance and acting work centred around new writing, workshops and rehearsed readings, alongside creating, writing and producing my own work and working as a Creative Producer across a number of companies.
More recently, I’ve dipped my toes back into the acting pond and reconnected with how much I love play, exploration and pretend. What I’ve found most interesting is how much more relaxed I feel in the work now. I’ve let go of much of that constant awareness of being watched or judged, and there’s something incredibly freeing about that as a performer.
As an actor / company member, I bring:
+ a genuine sense of wonder and exploration
+ openness to trying, testing and changing things
+ curiosity and responsiveness in the room
+ a love of listening and working collaboratively
+ a strong instinct for new work and development processes
+ a very expressive (but absolutely tame-able) face
I’ve always loved being part of workshops and the development of new work, testing ideas, responding instinctively, listening, playing and discovering what something might become.
More recently, I’ve also been exploring my own writing and poetry, which is a strand of my creative practice I’m developing.
